Rinat Izhak
Dónde se van las palomas por la noche

Project 2010 Seville

La Plaza de las Palomas

Creation, direction and curation

Dónde se van las palomas por la noche

This work aims to summarise the last eight decades of the history of the city of Seville through the photographic fragments linked to the emblematic space of the Plaza de América, in the Parque María Luisa. In it one can read the city and its history through the personal memories tied to this place, inseparable from Seville’s identity, which brings so many people together as a common reference.

One of the project’s key strands is based on participation, encouraging social impact and collective thought.

Drawing the strong essence of this square from their collective imagination, people freely shared their personal, mainly family, memories, sending their photographs to the project website. These served as raw material for my creation: painting, installation, video, theatre, photography, also with the collaboration of forty artists from Seville.

The result was a great collective creation with which participants and visitors felt strongly connected, emotionally and personally. The culmination of the project was an exhibition at the Museo de Artes y Costumbres Populares de Sevilla, visited by almost 40,000 people, and an artistic intervention in the square itself.

The raw material

What people sent in

Everyone sent the project website the photo they had kept of the square. From each one the figure was cut out: what remains is the white gap of whoever was there and, behind it, the square as it still is.

190
190
318
318
258
258
350
350
360
360
364
364

Eight decades

La caja de memoria

One tin per decade. Inside, the photos people left: first communions, couples, little girls feeding the pigeons. The same square, eighty years in a row.

1924—1939
1924—1939
1940—1949
1940—1949
1950—1959
1950—1959
1970—1979
1970—1979
1990—1999
1990—1999
2000—2010
2000—2010

Those who were there

The photo in their hands

And behind each photograph, someone who is still here and holds it.

Cecilia
Cecilia
Casimiro
Casimiro
Lola
Lola
La familia de Nico
La familia de Nico
La familia de José Luis
La familia de José Luis
La familia de Ana
La familia de Ana

The intervention

Back to the square

The cut-out figures returned to the park life-size, set in the exact spot where the original photo was taken. Passers-by came across them without knowing what it was all about.

La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
La Plaza de las Palomas
Poster for the intervention
Poster for the intervention

What came out of it

The works

La tradición sigue
La tradición sigue
Pureza y Paz
Pureza y Paz
Homenaje a la niña de la fuente
Homenaje a la niña de la fuente Photo: Gema Otero

Credits

Creation and curation
Rinat Izhak
Paintings and photography
Rinat Izhak
Exhibition
Museo de Artes y Costumbres Populares de Sevilla Almost 40,000 visitors
Intervention
Plaza de América, Parque María Luisa, Seville
Guest artists
Ana Mª Jarana Ana Quesada Ana S. Valderrábano Antonio Melo Montero Antonio Sosa Baobab Carlos Salgado Carmen Muñoyerro Muñiz Concha Ybarra Cristina Pérez de Villar David López Panea Dolores Fernández Cabello Dolores Gómez Elena Arroyo Durán Federico Guzmán Felipe Ortega Regalado Joaquín Delgado José Manuel Pérez Tapias Juan Fernández Lacomba Lalo de la Paz Layla Halcón Lola Montero Magdalena Bachiller Manolo Cuervo Manuel Losada Manuela Bascón Marcos Fernández María Ortega Estepa Marta Viguera Ming Yi Chon Óscar Ortiz Marzo Pablo Grosso Paco Lara Pepa Rubio Pedro Simón Pepe López Reyes de la Lastra Ricardo Castillo Rocío Arregui
Staging of the images
Dos Lunas Teatro
Text adaptation
Bernardo Carrascal Cristina Pérez de Villar
Sculptures for «La niña de la fuente»
Juan Ramón Lafita
Making of the characters
Javier Carranco Luque
Advisers
Juan F. Lacomba Nico Salas Gema Otero Israel Romero Romero
Image archive
Toñi González Nicolás Salas
Digitisation and processing
Rinat Izhak Paco Alorda Gema Otero Julián Tobías Nico Salas
Project website
Michel Suárez Adam Newby Israel Romero Romero
Museum team
Montse Barragán Jané María Venegar Ortiz Javier Corro Olmo Manuel Morán Trujillo Manuel Lucena López José María Doménech Vázquez
Citizen participation
José María Torres Bea Sean Carmen Sobrino Ruiz Casimiro Sáenz de Casas Sobrino Cecilia Fernández Olmo Valme Feria Ruiz-Calderón Ana María Elisa Ruiz-Calderón Martín Ana María Martín Tejada Fernando Rodríguez-Izquierdo Gávala Guillermo Rodríguez-Izquierdo Gallardo Lola Romero Almansa Israel Romero Romero Sebastián Romero Pineda Lola Pineda López Reyes del Pozo García José Luis del Pozo Carrasco María Luisa Carrasco Escribano Mª Luisa Escribano Aguilera Domingo Carrasco Garach Carmen Jesús Gil María del Carmen Jesús Pareja Antonia Pareja Collantes Quique Aracil Arregui Rocío Arregui Pradas Miguel Arregui Rangel
Sponsors
Fundación Tres Culturas Junta de Andalucía · Consejería de Cultura Giralda S.L. Asociación Amigos del Museo de Artes y Costumbres Populares de Sevilla
In collaboration with
Signos de Mediodía Arte Contemporáneo